White Line Hotels Welcomes THEMONIES LUXURY SUITES

This gem is most definately hidden.  Clever blends of local culture speak of Folegandros, a Greek hideaway which is a very different affair than that of the Cycladic neighbours of Santorini, Milos and Ios.

At the heart of the island lies the picturesque medieval main town, the Hora (Chora) and it is here in the shadows that Themonies was created close to the original hamlets built of honeyed stone sit snug together leading to little squares and intricate walkways – the   Hora typifies lovely Greekness and the vibe is warm, close and familiar.

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Living On The Edge #6: Copenhagen

Today White Line Hotels’ Living on the Edge series is leaving Barcelona, its catalonian lover — but don’t fret. There’s another mysterious character already in place for you to daydream about.

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White Line Hotels Welcomes Villa Flor: THE HOUSE OF NOUVEAU

The arty enclave of Upper Engadin perfectly contrasts the rather glitzy bling of St.Moritz, here mature elegance and intellect has always played refuge to the creative scene, celebrated by artists and writers.

Where better then to build a house of patrician, celebrating a return and what better style than that of the ornate Art Nouveau to echo your shared worldliness and presence.

Restored with a passionate hand, today peacock turquoise, warm ochre and vivid reds cloak the stenciled walls with ornate flowing motifs, which dance across the airy rooms in syncopated rhythm. This is truly a snapshot of the playful Jugendstil with a very clever style intervention borrowed from the 50‘s- all balanced by the solidness of the warm parquet floors.

This is a very richly decorated, irresistibly comfy urban villa that whispers confidence, style and utter sophistication – this is Upper Engadin.

You can find Villa Flor now in (Y)our Hotels.

Heritage Neatly Boxed: White Line Hotels Welcomes Consolación

Tucked away in Teruel, bordering Aragón, this observatory-like pad clasps to the bedrock amidst heady scents of thyme, lavender + almond groves. The Spanish terrain hosts a stark sequence of cubist structures which beautifully marry with the monastic 14^th century Ermita – a small intense masterpiece at the heart of this decidedly relaxed, creative enclave.

There is a subtle sweet rawness that caresses the place, with the wooden cubes adopting translucence + solidity, framing the wide vistas beyond – the huge open-ended window of each den reflects those medieval portals of the old church – a connectivity that runs a thread throughout.

There is something to be said for ME time – from your private cube you can dance as naked as a bird, or just sit and gaze a yonder.  Rejoin your fellow housemates taking the garden path past the sunken pool + follow your nose to the open kitchen dining or curl up over a bottle in the whimsical library.

A crafted, regional remit of old style luxury, translated for the nomads of today in a deliciously relaxed tone.

Dr. Helmut Marko on Schlossberghotel’s Art Collection

At the beginning of the 70s he was a Formula One racing driver. Later he became a barrister, and as if to never be accused of not having lived a life diverse enough, he’s even opened 2 hotels in Graz. Even a brief glance at Dr. Helmut Marko’s CV is an inspiration to go after the things in life that you enjoy. Recently we caught up with him to ask a few questions about his art collection in White Line Hotels edit Schlossberghotel — wait, did we forget to mention he’s an art collector too?

Racing Driver. Barrister. Hotelier. Art collector. You’ve certainly been known by many titles. What do all these things share for you?

That’s easy to answer: passion.

When you started planning the Schlossberghotel, was the concept of it as an “art hotel” there from the beginning, or was that something that evolved?

We never had a concept of an „art hotel“. It evolved during the time.

Obviously a hotel is a very different space for viewing art than a museum or gallery is. What are the best things about this kind of atmosphere for art? Are there any drawbacks?

Not at all! It is pleasure for me to see the art every day and to make it possible for our guests to enjoy them with me.

Schlossberghotel has been called Europe’s finest art hotel, and your collection housed in it certainly is impressive. What was the first work of art you saw that inspired this passion?

My first picture was from Hans Staudacher, with the title “Spuren”. In English I would say “to leave one´s mark”. There is so much inspiration and lightness combined with a kind of craziness in the picture. It is still in the Schlossberghotel and it reminds me all the time of this passion.

From what I understand, the collection isn’t just in public spaces at the hotel, but in the rooms as well. Do people ask when making a reservation to be placed in a room with a work by a favorite artist? Do you think that chance for real intimacy with a work is one of the draws of the Schlossberg?

The art is everywhere! In all rooms, breakfast area, lobby etc. as well as sculptures at the roof top terrace and inner court yards. Sure, we have guests who prefer some special rooms!

Your collection is very focused on Austrian art. Do you feel a particular connection to local art and artists?

I combine art with all my travels around the world. If there is a fantastic picture, for example, in China – I buy it as well. The focus is on Austria, especially on young talents.

What’s next for you?

Let’s see. Step by step. Nothing special in mind…