THE RACE: Tomas Dzadon and Valentino Diego

Holy motorbikes, Batman! They’re on Futurism’s tail!

Since Robert M. Pirsig’s 1974 bestseller Zen and the Art of Motorcycle Maintenance, the act of repairing (or also not repairing) a motorcycle can have pop-philosophical connotations. So whether you choose to view artist Tomas Dzadon’s 5-year project of restoring a 1940s NSU German motorcycle as a Pirsig-esque meditation on the “classical,” or just to say that the artist took inspiration from motorcycles, the time spent on the machine did lead to the contemplation of the mechanisms of the modernist era and contemporary art, as well as to the perhaps obvious, but nonetheless elegant, similarities in form to Otakar Švec’s iconic Futurist sculpture Sunbeam Motorcycle that can be seen in the National Gallery in Prague.

Alongside collaborator Valentino Diego, Dzadon has presented an interesting and fresh contribution to the critical dialogue surrounding the medium of sculpture, its historical direction and development, and its role in contemporary art. By placing an object sculpture, the restored motorcycle, next to a replica of Švec’s bronze, and all of this placed on top of a site-specific sculpture that creates a framework and impending physical challenge for our frozen racers with its steep incline, we are invited to consider the future of sculpture in terms of Newton’s first law of motion: “An object that is in motion will not change its velocity unless an unbalanced force acts upon it.” Have these two young artists provided enough of an unbalancing force to change the outcome of the race?

July 30 – September 26, 2010 at hunt kastner artworks, Kamenická 22, 170 00 Praha 7, Czech Republic. Tues. – Fri. from 1-6 pm and Sat. 2-6pm, or by appointment.

Planning to visit the exhibition, or indeed Prague itself, the ICON Hotel & Lounge is just a short motorbike blast away from the gallery.

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Categories: Prague, Art

Contributing writer: Melissa Frost